- Mamiya 645 vs contax 645 manual#
- Mamiya 645 vs contax 645 pro#
The Mamiya 645 Manual-Focus lenses will work on all manual-focus bodies. This lens has a built-in leaf shutter, which is cocked by the grips at the 3 o'clock and 9 o'clock positions
Mamiya 645 vs contax 645 manual#
Mamiya 645 Manual Focus Camera ComparisonĪ Mamiya 70mm f/2.8. The standard lens was the 80mm f/2.8 N or the 80mm f/1.9 N. It did have a light meter built in to the viewfinder, however.
Mamiya 645 vs contax 645 pro#
This was an entry-level version of the M645 Pro without switchable backs or viewfinders.
The Mamiya 645E was first released in 2000. The Mamiya 645 Pro-TL was manufactured from 1997 to 2006 and is functionally similar to the 645 Pro but adds through-the-lens flash metering. It added a self-timer and a smoother styling. The Mamiya 645 Pro was manufactured from 1993 to 1998. The standard lens was the 80mm f/2.8 N, or the 80mm f/1.9 C (early) or the 80mm f/1.9 N (late). Its features are the same as the M645 1000s, but it added removable film backs, whereby a dark-slide could be inserted and the back removed mid-roll. This was a new camera with a molded plastic shell on a diecast metal frame. The Mamiya 645 Super was manufactured from 1985 to 1993. The standard lens was the 80mm f/2.8 C or the 80mm f/1.9 C. This was a stripped-down version of the M645, with the mirror lockup knob and second shutter button removed. The M645J was manufactured from 1979 to 1982. This camera added a 1/1000 second shutter speed to the M645, as well as a self-timer and a depth-of-field preview lever. The standard lens was the 80mm f/2.8 C or the 70mm f/2.8 C E or the 80mm f/1.9 C. The metered prisms read the aperture dial through a mechanical coupling on the lens. A waist-level non-metered finder was available, as well as a non-metered pentaprism and three varieties of through-the-lens (TTL) metered prisms (CdS, PD and AE). Film was carried in cartridges that could be pre-loaded, but no capability existed to allow changing of film magazines mid-roll. The camera featured a mirror lockup, as well as selectable multi-exposure. It used an electronically controlled cloth focal plane shutter offering speeds of 8 seconds to 1/500 second in one-stop increments. The M645 was a true system camera, with interchangeable viewfinders and lenses. This was the first model to offer a 6x4.5 cm frame, allowing 15 shots on a standard 120 roll film. The M645 was manufactured from 1975 to 1987. The two generations use different viewfinders, grips, and other accessories that are not always cross-compatible. Mamiya 645 Super with power winder grip, AE prism N, and 80mm f/2.8 N lensĬenter-weighted, spot-metering, or computer-controlledĪll seven of the manual-focus Mamiya 645 cameras can use the same lenses and film inserts (film spools). Mamiya 645 Manual Focus System Mamiya 645 First Generation 1.3.10 Other accessories - Second Generation. 1.3.9 Grips and Auto-winders - Second Generation. 1.3.8 Camera backs / inserts - Second Generation. 1.3.7 Viewfinder Accessories - Second Generation. 1.3.5 Other accessories - First Generation. 1.3.4 Grips and Auto-winders - First Generation. 1.3.2 Viewfinder Accessories - First Generation. 
1.3 Mamiya 645 Manual Focus Accessories.While you’re here, stop off at the below photo gallery, which revisits highlights of the indefatigable schemer’s bonkers life in Genoa City. Knowing Adam, there’s probably a 50-75 percent chance that by the time you get done reading this article, he’ll have gotten up to his old tricks again. “For right now I’m enjoying, so I’m leaning into it,” he said.
That’s not a complaint on Grossman’s part, mind you, just a little… confession, if you will.
Were it up to the actor - one of soaps’ all-time best recasts, if you ask us - his complicated character would “manipulate someone or steal a baby, do something” true to his conniving form, he said. There’s a “but.” Of course there’s a “but.” “But I’m always like, ‘I need to do something bad,’” Grossman admitted with a laugh. “I’m enjoying the dynamic with Adam and Victoria and the kind of light side with Adam and Sally, and Adam and Victor are getting along, and Nick. And “I am enjoying it right now,” portrayer Mark Grossman recently told Soap Opera Digest. It’s been a while since The Young and the Restless had Adam plotting to blow up his entire family. He needs to “manipulate someone or steal a baby,” suggested the actor.
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